The Nigerian designer who returned to Lagos after training in Europe is one of the key interpreters of the local creative scene. A firm believer of the special practical intelligence of Africa, he strives to enhance all things local, from culture to production techniques.
In the Twenties, aesthetic codes borrowed from the avant-garde movements and technical progress went hand in hand to develop a new decorative language: stylised geometric patterns that immediately spoke to a wide audience. A dynamic and treasured expertise handed down by design.
In an interview the designer tells us about the path that, through a residence in Finland, led him to understand in depth the many aspects of ceramics, starting from the wild clay of a Finnish lake.
The symbolic date representing the launch of the great economic and cultural “Made in Italy” phenomenon is certainly 1925, the year of the Paris Expo celebrating the height of the Art Deco movement. This is what happened.
