How have the inhabitants of the European Union changed since the Schengen Agreement dissolved our internal barriers? And how has the idea of borders evolved in young Europeans? The museum concept by Migliore+Servetto for the new Schengen Museum responds to these and other questions.
The Villard network explores migrations as a device for urban and territorial transformation. From its works comes A.M.A.R.E. – Atlante delle Migrazioni. Attraversamenti e Radicamenti Europei (“Atlas of Migrations. Crossings and European Roots”), now on show at the Architecture Biennale in Venice
As old as Arab calligraphy and as modern as the hip hop culture, both abstract and figurative, the works of the Franco-Tunisian artist celebrate the dual cultural identity of their creator, spreading messages of peace.
Repeated border crossings, from one side of the Atlantic to the other and on the American continent, are one of the privileged keys for interpreting the works of the Italo-Brazilian artist leading an exhibition in the museum in Paris dedicated to Pablo Picasso, another great “migrant” of art.
One, ten, eighty càntirs: the traditional terracotta jug with two mouths, famous for its ability to cool liquids and an emblem of the typical conviviality of Barcelona, is the focus of a series of artistic works. The curator Júlia Esqué tells us all about it.
In the northern French region scarred also physically by mining activities, the local antenna of the famous museum went “20,000 leagues below the earth”, investigating the artists’ relationship with the real and imagined universes hidden beneath our feet.
The Lagos-born artist who lives in Canada has been reflecting on the colonial heritage of his country for years, starting from the earth. His works tell how mineral mining has shaped the face of Nigeria.
For the German designer, the earth is not merely a material used to build new objects but something fragile and precious, to be taken care of through the projects and research she talked about.
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